Addressing identity as a socio-political issue has been a central theme for artists since the 1970s. We Them Us | Race Ethnicity Identity considers how contemporary artists accentuate concepts like race and ethnicity through various visual strategies. Four formal devices serve as the basis for the show: text, juxtaposition, seriality and motif. Artists often employ one or more of these approaches as means of storytelling, protest and celebration. This exhibit aims to demonstrate how these organizing principles serve as a common tool through which personal and communal social status is explored.
We Them Us | Race Ethnicity Identity presents important loans and rarely seen objects from the permanent collection of the Worcester Art Museum. The exhibition is presented in two galleries and features over 50 objects spanning a wide range of media, including photography, prints, painting and sculpture. Highlights include works by Byron Kim, Roberto Lugo, María Magdelena Campos-Pons, and Lorna Simpson, among many others.
We Them Us is co-curated by Nancy Kathryn Burns, Stoddard Associate Curator of Prints, Drawings and Photographs at WAM, and Toby Sisson, Associate Professor and Studio Art Program Director at Clark University. The exhibition opens on February 19 and will continue until June 19, 2022.
For more information and tickets, visit worcesterart.org.
The British Museum drops the Sackler name – but not everywhere
The disgraced family’s name will remain on the museum’s benefactor board and on its list of Grand Court donors.
This week, an early concept work by Yves Klein goes up for auction, the Academy Museum of Motion Pictures will finally include a section on the central role of Jewish immigrants, the inventor of GIFs dies, and much more.
Works created during Lin’s residency at Crystal Foundation and Park will be presented at Artexpo New York from April 7-10.
Materials from the poet’s personal library attest to a lifelong engagement with the black community.
Is the earth a necropolis in which the survivors live among the dead and their sarcophagi, which includes museums, pyramids and monuments of all kinds?
Join us in person or virtually to immerse yourself in strategies, experiences, and discussions essential to art-making that will give your work new direction and vibrancy.
It’s unclear how ‘Acer’, as the anonymous artist is known, escaped security guards and museum surveillance cameras
Surely we’re not training robots better to know exactly who humans are and where to aim their lasers? (Nervous laughter.)
Nine Ways from Sunday opens at the Sam Fox School’s Mildred Lane Kemper Art Museum on April 9.